Publications

Peer-Reviewed Journal Articles

Night of the Living Dead Dissects the News: Race, the 1967 Riots, and ‘Dead Neighbors.’” JCMS: Journal of Cinema and Media Studies. Forthcoming, 2020.

“Sargassum in the Black Atlantic: Entanglement and the abyss in Bearden, Walcott, and Philip.” Atlantic Studies vol. 16, no. 4 (September/October 2019): 423-451. https://doi.org/10.1080/14788810.2018.1510700.
Read Here.

“Unending Fries: Mechanical Repetition in Joe Wenderoth’s Letters to Wendy’s.Radical Philosophy Review vol. 16, no. 1 (2013): 159-168. 
Read Here.

“Cookbooks in the Composition Classroom,” Journal of Teaching English. Under review.

Digital Publications

Migrant: A Triptych. (un)common sense, vol. 1, Displacement. June 12, 2019. 

Learning to Breath Underwater: The Tidalectics of Rukeyser’s ‘Anemone.’ Muriel Rukeyser: A Living Archive. March 1, 2019.
This short essay, drawn from my first dissertation chapter, makes connections between the work of under-appreciated poet Muriel Rukeyser and the Oceanic Turn, in particular the concept of tidelectics.

Caribbean Revolts and Revolutions. January 3, 2016.
My goal with Caribbean Revolts and Revolutions was to construct an accessible and engaging introduction for the novice scholar (high school student), to the varieties of Caribbean revolts and revolutions, and to help elucidate the relationships and differences among them. For more on this project, see here.

Poem For Meaux, on Poetry.Yes, Poetry.  Orig. published June 18, 2014, updated June 11, 2018. You can hear me reading the poem here.

 

Selected Poetry Publications
“Autobiographic, Thanatotic, Poetic” and interview. Fordham Observer vol. 38, no. 5 (March 30, 2017): 11.

“Icarus,” “Welcome to Earth, Poet!” and “The Conclusion First.” [Carriage Return] (2014): 8-10.

“A Small Film” and “there’s no treasure on this map.” Stolen Island no. 2 (2013): 144-149.

“Love Letters.” The Blink no. 1 (2009): 18.

“Southern Gothic.” The New Quarterly no. 106 (Spring 2008): 26-27.